Dzö-nga Boston, Massachusetts
Dzö-nga [zone-ga] is a folk/black metal project formed in 2016. Its lyrics draw on folklore and nature
The band takes its name from a Himalayan mountain deity.
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supported by 59 fans who also own “To the Great Salt Water”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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supported by 53 fans who also own “To the Great Salt Water”
What an impressive piece of black metal. This one-man hurricane is pure art. Sgah‘gahsowáh creates an haunting atmosphere. He puts so much soul in his music.
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supported by 50 fans who also own “To the Great Salt Water”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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Illusions In The Wake
by NOLTEM
featured on Bandcamp Radio Oct 29, 2021
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Folk music that reaches to the past, connecting to yesteryear while unearthing primordial magic.
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RIDICULED BY THE COMMON SOLDIERY
by BAAZLVAAT
featured on Bandcamp Radio Feb 2, 2024
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Life has gone on long enough
by NONE
supported by 46 fans who also own “To the Great Salt Water”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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